Raze w odpowiedzi na post: Jamie_Jabberwocky |
ocenił(a) ten film na: 8
MASZ UROJENIA PRZEŚLADOWCZE. Matrix sam jest plagiatem samym w sobie.
In late 1990s Los Angeles, Hannon Fuller (Armin Mueller-Stahl) owns a multi-billion-dollar computer enterprise, and is the inventor of a newly completed virtual reality (VR) simulation of 1937 Los Angeles, filled with simulated humans unaware they are computer programs. When Fuller is murdered just as he begins premature testing of the VR system, his friend and protégé, Douglas Hall (Craig Bierko) who is also the heir to the company, becomes the primary suspect. The evidence against him is so strong that Hall begins to doubt his own innocence.
Between interrogations by LAPD Detective Larry McBain (Dennis Haysbert), Hall meets Jane Fuller (Gretchen Mol), the estranged daughter of Hannon Fuller, who is busy with the shutdown of the new VR system. Hall romances her. When a local bartender claims to have witnessed a meeting between Hall and Fuller on the night Fuller was murdered, Hall is arrested. He is released when Jane gives him an alibi. The bartender is later murdered.
With the assistance of his associate Whitney (Vincent D’Onofrio), Hall attempts to find a message that Fuller left for him inside the simulation. Entering the virtual reality, Hall becomes a banker named John Ferguson. Fuller left the message with a bartender named Jerry Ashton (Vincent D'Onofrio), who read the message and discovered he is an artificial creation. Frightened and angry, Ashton tries to kill Hall. Hall barely survives to escape the virtual reality.
Now unable to find Jane, Hall discovers her double, Natasha Molinaro, working as a grocery store clerk — but Molinaro does not recognize Hall. This leads Hall to perform an experiment outside the VR system, something that Fuller’s letter instructed him to try: drive to a place where he never would have considered going otherwise. He does so, and discovers a place that resembles a wireframe model. Hall grasps the truth, the meaning of Fuller's message: 1990s Los Angeles is itself a simulation.
Jane Fuller explains to Hall the truth: his world is one of thousands of virtual worlds, but it is the only one in which one of the occupants has developed a virtual world of its own. Jane Fuller lives in the real world outside the 1990s simulation, and only entered the virtual version to assume the role of her simulation, gain control of her father's company in that simulation, and shut down the simulated 1937 reality. The virtual Hall is modeled after David, Jane’s real-world husband. It was David who committed the murders via Hall’s body, being driven to jealousy when Jane fell in love with the Hall character.
Whitney enters the 1937 simulation, assuming the body of bartender Jerry Ashton, who has kidnapped Ferguson (Hall’s 1937 identity) and bound him in the trunk of his car. When Whitney is killed in a car crash inside the 1937 simulation, Ashton’s consciousness takes control of Whitney’s body in the 1990s simulation and takes Hall hostage. Hall convinces Ashton that he's not in the real world, but in a simulation. Hall takes Ashton to the place where he was born: a computer lab. David assumes control of Hall again to kill Ashton, and then attempts to rape and murder Jane. Jane is rescued by Det. McBain, who shoots and kills David. McBain at this point has realized the nature of his own reality, and jokingly asks Jane "So, is somebody going to unplug me now?" She answers "no", so McBain follows with the request "Look, do me a favor, when you get back to wherever it is you come from, just leave us the hell alone down here, okay?"
David's death as Hall in the 1990s simulation allows Hall’s artificial consciousness to take control of David’s body in the real world. He wakes in 2024, connected by a device to the VR system. He disconnects the system and finds Jane and her father, the real Hannon Fuller. Jane wants to tell Hall more about the simulation, but as she begins the film ends, the screen image turning black like a computer monitor being turned off.
Akcja filmu rozgrywa się w przyszłości. Zniszczoną wybuchami atomowymi Ziemią rządzą cyborgi, które wygrały w walce z gatunkiem ludzkim i opanowały Ziemię. Jeden z nich, przeznaczony do eksterminacji ludzi, Omega Doom, po wypadku staje u boku nielicznych partyzantów, którzy usiłują przywrócić dawny ład...
Rok 2025. Warstwa ozonowa zostaje zniszczona. Kilka lat wcześniej Connor MacLeod (Christopher Lambert) utworzył tarczę, która okryła planetę, lecz pogrążyła ją w ciemnościach. Teraz MacLeod, pozbawiony nieśmiertelności, jest schorowany i zbliża się do kresu swych dni. Sytuację chce wykorzystać dyktator z planety Zeist (Michael Ironside). Wysyła on na Ziemię swoich ludzi, by zabili Connora.
Blade (1998) skoki, uniki Deacona Frosta przed kulami Bladea, w komiksie Marvela ludzie jako źródła pokarmu na wzór z filmu „Coma” i sztuczne łona „Matrixa”
Ghost in the Shell (1995) Przykłady:
1.gniazdka w tyłach szyi syntetycznych ludzi
2.scena otwierająca z zielonymi symbolami jest bardzo podobna w obu filmach
3.ujęcie agenta lądującego na dachu w scenie ucieczki Trinity jest prawie identyczne z ujęciem Kusanagi w czasie pościgu za pierwszą 4.marionetką”
5.ujęcie Neo chowającego się za filarem w sekwencji walki w wieżowcu jest identyczne jak ujęcie Major w czasie walki z czołgiem.
6.ujęcie w końcowej scenie pościgu Neo, który biegnie w kierunku hotelu. Po drodze agenci oddają w jego stronę strzały na targu, te z kolei niszczą ustawione na straganie arbuzy. Ta sama sytuacja przydarzyła się Batō w scenie na targu w Ghost in the Shell
Pamięć absolutna (1990) Total Recall - czerwona pigułka
Filmy których akcja odbywa siĘ w wirtualnej rzeczywistości.
Avalon (2001), by Mamoru Oshii
Brainscan (1994), by John Flynn
Brainstorm (1983), science fiction film directed by Douglas Trumbull and starring Christopher Walken and Natalie Wood
The Cabin in the Woods (2011), directed by Drew Goddard, in which to prevent doomsday a group of teenagers must be sacrificed without their recognizing.
Cargo (2009), directed by Ivan Engler and Ralph Etter
Cube 2: Hypercube (2002) written by Sean Hood
Dark City (1998) by Alex Proyas
eXistenZ (1999), by David Cronenberg, in which level switches occur so seamlessly and numerously that at the end of the movie it is difficult to tell whether the main characters are back in "reality"
Good Bye Lenin! (2003), by Wolfgang Becker: a Berlin family tries to make the feeble mother believe that East Germany did not fall
Inception (2010), by Christopher Nolan, where an extractor invades dreams to steal information and ideas, but is asked to implant an idea instead of stealing one.
The Island (2005), directed by Michael Bay
Jacob's Ladder (1990), thriller directed by Adrian Lyne
Lost Highway (1997), by David Lynch
The Matrix series (1999–2003), by Andy and Lana Wachowski
The Nines (2007), unknowingly to the viewer, is focused completely on the subject of simulated reality
Abre los Ojos (Open Your Eyes) (1997), by Alejandro Amenábar (remade as Vanilla Sky, 2001)
Strange Days (1995), by Kathryn Bigelow
Surrogates (2009), by Jonathan Mostow
Synecdoche, New York (2008), written and directed by Charlie Kaufman: an eccentric theatre director creates a replica of New York City inside New York City, complete with a copy of himself making his own replica of New York City.
The Thirteenth Floor (1999), directed by Josef Rusnak
Total Recall (1990), directed by Paul Verhoeven and based on the Philip K. Dick story "We Can Remember It for You Wholesale"
Tron (1982), by Walt Disney Pictures
The Truman Show (1998), in which the titular character unknowingly lives his entire life in a false reality created to make a voyeur television show about him
Vanilla Sky (2001), by Cameron Crowe
Virtuosity (1995), by Brett Leonard
Welt am Draht (1973), German film adaptation of the novel Simulacron-3 from Rainer Werner Fassbinder
Welcome to Blood City (1977), by Peter Sasdi
Westworld, a science fiction movie directed by writer Michael Crichton
Tron Legacy (2010), by Walt Disney Pictures
The Village The occupants of a small Pennsylvania village in 1897 live in fear of nameless creatures in the surrounding woods.