jeśli twoje dziecko najbardziej na świecie kocha filmy, a ty najbardziej na świecie kochasz swoje dziecko, to kup mu cinema speculation - w świątyni, rozdział 03:

Of the straight Parker adaptations, most people choose Boorman’s Point Blank and consider Lee Marvin the living embodiment of Parker. I’ve never understood the reputation that baby-boomer critics assigned Boorman’s nonentity crime film.
Yes, it has a dazzling (for its time) opening ten minutes. But the truth is, it seemed more dazzling when I was twenty-six than it does now. Even in terms of ruthless Lee Marvin gangster film openings, it can’t hold a flickering birthday candle next to Don Siegel’s opening for The Killers.