jeśli twoje dziecko najbardziej na świecie kocha filmy, a ty najbardziej na świecie kochasz swoje dziecko, to kup mu cinema speculation - w świątyni, rozdział 07:

At the time, Sayles had just made his directorial debut with the minuscule-budgeted independent film The Return of the Secaucus Seven. Which, as opposed to the films he was paid to write, was not a genre film. In fact, it’s the story of a reunion of some sixties former college student radicals, predating Lawrence Kasdan’s The Big Chill. In his review of the giant alligator movie, which he referred to as “well made and lots of fun,” Kevin focused on the two lead performances of Robert Forster and Robin Riker, who, he wrote, “are delightful and relaxed under Teague’s direction.” But then he wrote the line that was to stay in my mind all those years later. “There’s an easy going naturalness to Forster and Riker that makes them seem like one of the couples in Return of the Secaucus Seven.” Now that people barely remember The Return of the Secaucus Seven, that might not read as such a big deal, but then Secaucus Seven was the critical darling of the year. And to imply the genre characters in a Jaws rip- off about a giant alligator contained the same verisimilitude as the independent hit of the season was a bold proclamation.