The reputation of Stalker is preceded only by its director, Andrei Tarkovsky, a quintessential auteur whose attention to detail was continually challenged by a series of production disasters: Damaged film stock, earthquakes, sickness. The film’s mystical qualities have also inspired some to believe Stalker predicted the Chernobyl nuclear disaster, and more eerily, the death of its own director. Tarkovsky historians Robert Bird and Sean Martin, alongside cinematographer Roger Deakins, attempt to separate the facts from the myths.
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