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Stan Shpetner’s lively script for William Witney’s The Bonnie Parker Story. Which not only predates Benton and Newman’s Bonnie and Clyde, it predates David Lynch’s Wild At Heart as well (including flame dissolves). (..) It’s the dialogue in Shpetner’s script that really sings, and places alongside other grindhouse dialogue classics like Jackie Moran’s script for Russ Meyers Faster Pussycat, Kill! Kill! and Mel Wells beatnik slang dialogue polish in Jack Arnold’s High School Confidential.