z wypowiedzi, których nie znajdziecie
w spekulacjach o kinie:

Pam’s women-in-prison movie, The Big Bird Cage [Jack Hill, 1972], and Black Mama, White Mama [Eddie Romero, 1973]. I’ve just been a big fan for a long time. She is a truly great icon, and she holds a very special place in cinema history. When the blaxploitation phenomenon was going on in the seventies, you had Jim Brown, probably the single biggest star, and they would always say about Brown that he’s sort of the black Clint Eastwood. Fred Williamson had the mantle of the black Burt Reynolds; Jim Kelly was the black Bruce Lee. But Pam Grier wasn’t the black version of anybody, because there had never been a heroine who specialized in doing action movies, a full-on woman who didn’t try to act like a man. Not until women in Hong Kong movies started doing kung fu did that kind of role come up again.