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Wang Yu’s magnificent climatic battle on the beach of the war gods, at night, lit by torchlight, takes up the whole second half of the picture. It’s the most cinematically impressive large-scale battle sequence in all of Hong Kong seventies martial arts cinema. But that seems too much like a qualification, it’s just a fckng great battle scene. It blows Orson Wells overrated battle sequence in Falstaff Chimes at Midnight right off the screen.