Owszem, piękne ujęcia, ale kwestia strojów, liturgii, dialogów to prawie porażka. Szkoda, że nie zrobiono lepszych konsultacji...
The set designers took great care to replicate the Sistine Chapel, though they took some artistic license with the Domus Sanctae Marthae. They made their set more prison-like to enhance dramatic tension because they felt that the real version was rather dull. Costume designers visited Gammarelli, Tirelli Costumi, and several museums in Rome as part of their research. For the cardinals' red attire, costume designer Lisy Christl opted for a hue used in 17th-century cardinal vestments, rather than the scarlet one from modern-day ones, believing it be "far more beautiful and far easier for our eyes". (Povoledo, Elisabetta (25 October 2024). "Conclave: A Fly on the Wall Inside the Secret Process to Elect a Pope". The New York Times.)