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Immediately what you notice is the natural lighting of Jacques R. Marquette’s cinematography. And that alone makes it look different from any other Quinn Martin production. He even has a few shots that were shot at the first rays of dawn and even one scene that takes place at magic hour. I’m a big fan of Marquette’s work on Roger Corman’s The Last Woman on Earth and Richard Compton’s Return to Macon County, and his photography on this absolutely outclasses Jules Brenner’s work on Dillinger and John Alonzo’s efforts on Bloody Mama.