jeśli twoje dziecko najbardziej na świecie kocha filmy, a ty najbardziej na świecie kochasz swoje dziecko, to kup mu cinema speculation - w świątyni, rozdział 15:

During his days in New Hollywood Siegel shot some terrific action scenes: The actual action part of the bank robbery in Charley Varrick. (..) Primarily, it’s a mystery plot that completely hinges on Siegel’s exciting narrative facility for audience misdirection. It’s a narrative device he employed often (The Duel at Silver Creek, Flaming Star, The Lineup), always to the betterment of the picture, reaching its apex with Charley Varrick. And audience misdirection is just as crucial to The Verdict as it would later be to Charley Varrick.