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But my big problem with Peppard was he just wasn’t convincing in the roles he ended up getting cast in. In Home on the Hill, he’s trying like hell to play the kind of surly sexy vagabond that Paul Newman specialized in (Hud & The Long Hot Summer) and while he’s not bad, he doesn’t quite pull it off either. He was often cast as the same type of surly bastards that McQueen pulled of effortlessly. Like in his biggest hit The Carpetbaggers. And you just don’t buy it. He actually came across as a genial guy, who for some reason was usually cast as a hardass son-of-a-bitch. Why he didn’t do more comedies during his heyday is a mystery. He’s completely unconvincing playing a beatnik hippie in What’s So Bad About Feeling Good? (as he was in the movie version of Kerouac’s The Subterraneans), but he’s still funny in it and seems to be having a good time.