jeśli twoje dziecko najbardziej na świecie kocha filmy, a ty najbardziej na świecie kochasz swoje dziecko, to kup mu cinema speculation - w świątyni, rozdział 15:

We’ll get into that in a minute, but first, leaving Escape from Alcatraz for a moment, let’s discuss his Charles Bronson espionage picture prior to the Eastwood prison drama. Why would Siegel waste his time on the three-quarters-boring, one-quarter-silly (the best part) Telefon? As Willie Sutton might say; the money, stupid. This was bore out when I recently met the films producer, Kubrick’s former partner James B. Harris. When I asked him why he and Siegel did Telefon, he said they didn’t like the script but felt one gains opportunity by working, not by not working. (..) Unfortunately it sorta worked the other way around. In his autobiography Siegel recounts his Telefon experience with Bronson was prickly and the script was stupid. Which reveals all you need to know about the take-the-money-and-run aspect of the endeavor. (..) (the only reason that Pleasence doesn’t just call all the agents in one hour, is that if he did, there’d be no movie).